Friday, November 20, 2020
Reflections on Term 3, 2020
Thursday, November 19, 2020
Reflections on Term 2, 2020
What a year!
Sunday, November 8, 2020
LCN616: Inquiry Learning — Designing with inquiry
OVERVIEW AND RATIONALE
Undertaking the inquiry process led me to a more specific question focused on supporting the development of creative writing skills in the classroom through inquiry learning. As I worked through the inquiry process and conducted an assessment of the resources generated by the search terms connected to my original question, my thinking became clearer. It became evident that I needed to include a more specific focus that would lead to the most impact on my classroom practice and subsequently on students’ writing skills. The refined question became:
How can inquiry learning be used in the high school English classroom to support students to develop their creative writing skills?
During the initial inquiry I was employed as Head Teacher English and henceforth was concerned with ways to engage students in the development of their imaginative writing skills. My recent appointment as Teacher Librarian and the allocation of 11 periods of ‘Communication Skills’ has changed my reach in many ways, but my students would likely benefit from the inquiry learning process. There is no set syllabus for the classes that I am currently teaching but resources are predominantly focused on writing skill acquisition and consolidation, so the inquiry question remains relevant. Inquiry learning would not only provide students with an opportunity to engage in the writing process in a more authentic way and the level of investigation required would allow for the explicit teaching of research skills while students explore ways to improve writing which is would also be beneficial.
ANNOTATED LIST OF PROFESSIONAL AND SCHOLARLY SOURCES
Source 1.
McLean, I. (2016). Speculative Fiction: A genre study using inquiry based learning to improve imaginative writing in Stage 4 English. English Teachers Association of NSW mETAphor, 1, pp. 40-44.
This source was written for the NSW English Teachers’ Association journal mETAphor. The English Teachers’ Association of NSW is a non-profit teaching association which is able to hire a small staff based on income from membership, publications, and professional learning events. The association’s journal is published quarterly and is provided to financial members. While the journal is not peer reviewed, it is a trusted and valuable source of knowledge for teachers of English in NSW. There is a committee comprising association staff and volunteers who are English teachers from the public and private education sectors so in essence, all stakeholders are represented. There is trust placed in the association to provide quality resources to members and effort is made by the mETAphor committee to seek submissions that capture authentic classroom experiences and practical approaches to the classroom. The source is reliable in the sense that it is an example of inquiry learning in an English classroom. The focus on imaginative writing links directly to the inquiry question and the article explains an approach to the practical application of inquiry learning. The article was published in 2016 which means that it links to the current NSW Stage 4 English Syllabus which increases its relevance.
The article draws on the respected work of Kuhlthau, Maniotes, and Caspari and refers to resources from Guided Inquiry Design: A framework for Inquiry in Your School (2012). McLean gains credibility through this reference as it indicates the processes used in the classroom are based on a trusted model (2016, p. 40). The article details what kinds of activities and resources are provided to underpin the inquiry in the classroom giving great support to a reader who may want to undertake a similar process with their students. The school where McLean works is named which provides contextual details and there is a reflection on the impact of inquiry learning and how it improved the level of engagement and the quality of work submitted.
Overall, this source was the most relevant to the inquiry question and the fact that it linked with prescribed readings for the Inquiry Learning course and that it is based in NSW added to its usefulness.
Source 2.
Wiebe, S. (2010). A Poet’s Journey as A/r/tographer: Poetic Inquiry With Junior High School Students. LEARNing Landscapes, 4(1), pp. 239-253.
The second source I perused after searching for inquiry learning in the English classroom was in many ways an esoteric exploration of the significance of poetry, but it did eventually delve into inquiry in the classroom, and Wiebe (2010) raised several key points about the impact of inquiry learning and the role of the teacher during the inquiry process. Wiebe’s (2010, p. 245) discussion of the classroom environment required to facilitate inquiry learning is what was most useful in this article and his exploration of the theory underpinning his decision to ‘let go’ and give students more agency was significant. The article was more reflective than some of the instructional pieces I read which was a contrast that allowed me to reflect upon the way that many teachers maintain the traditional approaches of their own teachers.
The article is published in the LEARNing Landscapes journal which is peer reviewed and open access. The journal is a subsidiary to LEARN which is a non-profit educational organisation supporting the English speaking community in Quebec. The journal provides arts educators with a range of theory to practice approaches to pedagogy. Submissions are accepted based on adherence to the style guide and theme of the issue. The LEARNing Landscapes journal’s requirements are outlined clearly on the website which suggests transparency and rigour (LEARNing Landscapes Journal, n.d.). The fact that the journal is open access is interesting as the this may impact the author as far as collecting royalties for their work. On investigation it is interesting to note that the author of the article is on the Editorial Board of the publication. Overall there is a genuine exploration of inquiry in a Year 9 English class which links to my inquiry question (Wiebe, 2010).
Source 3.
Brown, H. (2004). Walking into the Unknown: Inquiry-Based Learning Transforms the English Classroom. The English Journal, 94(2), pp. 43-48.
The third source of interest described the inquiry process in an English classroom in America (Brown, 2004). While it did not specifically focus on creative writing there were references to writing workshop as students were required to present their findings via a website and copy that they wrote so this cemented its relevance (Brown, 2004). While Brown’s article was published in 2004 the reflection captured is still useful. It is important to note though, that the reluctance of students to use the technology due to their typing speed and difficulty using the software would be less likely to be an issue today as technology is more prevalent in schools and households (Brown, 2004, p. 46).
Overall Brown focuses on improving students’ engagement with the research process (Brown, 2004, p. 43). The implementation of inquiry learning provides students with the opportunity to engage authentically with an area of interest and find a deeper connection to their studies (Brown, 2004, p. 44). I found the article to be very honest in its representation of the classroom dynamic and found the inclusion of student dialogue and feedback helpful (Brown, 2004, p. 46).
The publisher of the article—The National Council of Teachers of English—is a highly respected organisation supporting English language arts teachers in the USA. The organisation has been around for over 100 years providing professional learning, resources, and a range of journals which are available for purchase on top of membership fees. The English Journal is peer reviewed by three outside reviewers and supports teachers in middle schools and junior and senior high schools (NCTE National Council of Teachers of English, 2020). It is published bi-monthly and past issues are stored online dating back to 1912 for members to access (NCTE National Council of Teachers of English, 2020). The longevity of the organisation and the English Journal indicates that it is a trusted authority in the area of English language arts and the experiences captured are a true representation of pedagogical practices. The article is structured clearly with headings and the expression is detailed and coherent and it acts as an instructional document (Brown, 2004).
Source 4.
Boas, E. (2016). Developing an inquiry approach. In E. Boas & S. Gazis (Eds.), The Artful English Teacher (pp. 103-129). Australian Association for the Teaching of English.
The resource was created for the Australian Association for the Teaching of English (AATE). The AATE supports the state English teaching associations and produces its own professional learning, resources, and journal to support teachers across Australia. To capture the impactful nature of inquiry learning in the classroom there is reference to the Australian Professional Standards for Teachers to provide a link to the expectations of teachers. The ‘snapshots’ provide an overview of a range of inquiries providing a scaffold that links to my inquiry question (Boas, 2016, pp. 109-127). While the structure of the inquiry is different from Source 1 the underlying premise is the same and the theoretical exploration as well as practical ideas make this a very useful source.
Source 5.
Hewes, B., & Hewes, L. (2016). Are Humans Wild at Heart? And Other Epic English Projects for Year 9-10. Hawker Brownlow Education.
Hawker Brownlow Education publish a range of educational texts for Australian teachers and as this is their primary concern, there is an element of authority carried with the name. Bianca Hewes has included a range of resources on her professional blog, so the text is ultimately a culmination of many years work in the sphere of PBL (2020). As one of the author sis an English teacher and the projects are created for an English classroom, they provide a thorough overview of ways to explore aspects of literature and have students respond creatively (Hewes & Hewes, 2016, pp. 154-158).
INFOGRAPHIC
The infographic provides an overview of the process, strategies, and resources that support inquiry learning processes in an English classroom. A brief overview of each section has been provided (Lamb & Johnson, 2014, p. 58). To begin there is an introduction to the inquiry process with the blurb: ‘Get students excited about the inquiry process, build the field of knowledge, research (provide support!), develop the inquiry question, gather sources, and share the learning (Kulthau et al., 2012)!’ Some teaching strategies are provided under the explanation: ‘Transform the classroom space by shifting the power structures and making it 'ours' to see the impact of inquiry learning (Brown, 2004; Wiebe, 2010).’ The final section is a reminder of the resourcing required and the tools students may need to share their work: ‘Students need to access quality sources and at the culmination of their project a way to share their learning (Hewes & Hewes, 2016; Boas, 2016).’ The images are included to add visual metaphors and break up the text (Lamb & Johnson, p. 58). The colours are muted – orange, aqua, white, and cream with a mixture of white and black text. The font sizes vary depending on how much information is included in each section.
REFLECTIVE EVALUATION
My experiences with inquiry learning were minimal before undertaking this research and while I have used elements of inquiry before it was not in a sustained manner. I can see great possibilities for inquiry learning in the English classroom and especially in the library space. My pedagogical preference aligns with constructivist learning and a ‘just in time approach’ when teaching core skills for writing workshop. This inclination appears to have been an effective apprenticeship for inquiry learning (Kuhlthau, Maniotes, & Caspari, 2015, pp. 15; Hewes & Hewes, 2016, p. 1).
It is heartening to realise, when reflecting upon the Information Search Process (ISP), that my experience of ‘information seeking’ very much aligned with the model and the challenges and emotional state I worked through are an accepted and integral part of the process (Kuhlthau, 2015, para. 1). The ‘initiation’ stage left me feeling apprehensive when I considered a possible topic area (Kuhlthau, 2015, para. 7). I wanted to research something I was interested in that would be useful to me at some point but what would stand the test of time considering I was possibly changing careers? I landed on imaginative writing as focus as it is relevant to both an English teacher and a Teacher Librarian. I moved from the initiation stage to ‘selection’ quickly, but I found the development of inquiry questions rather daunting. I created two sets of inquiry questions and two mindmaps as I found it difficult to narrow to a topic that would have enough breadth but not to the point that I would be overwhelmed by information. By the second mindmap I was focused and feeling a little more confident and I found the process of brainstorming supported the ‘exploration’ stage (Kuhlthau, 2015, para. 9).
The ‘exploration’ stage, eventually, was enjoyable as I do relish an opportunity to investigate resources (Kuhlthau, 2015, paras. 9-10). Fortunately, after only a short spate of frustration, I realised by working through a range of search terms that I needed to adjust the question, and this brought back a manageable number of results. I was led down several ‘rabbit holes’ to find useful articles on writing instruction and other work by Kuhlthau, Maniotes, & Caspari which will assist me to develop strategies to support students using the library. I did have to refocus myself at this point to gather relevant resources for the ‘collection’ stage rather than a range of interesting but unrelated items (Kuhlthau, 2015, para. 9).
Unlike the ISP model, I did not feel relief or disappointment by the time I reached the ‘presentation’ stage, (Kuhlthau, 2015, para. 12). Instead, I felt as if I may have been prematurely confident as I was unsure how I would present the findings in a suitable infographic. I found myself doubting my sources once it came to the analysis and development of the infographic and whether they were ‘good enough’ to be included. I reasoned, however, that I did find each of them helpful in different ways and they were part of the learning process. Overall, I included five sources in the infographic but captured only a fraction of the information in an effort to keep the display to apply principals of design (Lamb & Johnson, 2014, p. 58).
The next stage of my learning journey will be implementing the inquiry question with students – I would love to see their inquiries into what makes imaginative and creative writing impactful and I would like to read finished pieces of writing at the conclusion of the inquiry process. Further to this, I would also like to investigate how other types of writing have been supported through inquiry learning. As part of my professional development, as I found the inquiry process so useful to determine the purpose of my research, the process will support me with contributions I would like to make to the NSW English Teachers’ Association journal mETAphor now that I have the capacity to methodically work through a process to develop and answer a question. I would also like to develop a suite of resources to support students at each point of the inquiry learning process now that I have a greater understanding of the affective, cognitive, and physical actions that come into play during inquiry (Kuhlthau, 2015, para. 1).
REFERENCE LIST
Boas, E. (2016). Developing an inquiry approach. In E. Boas & S. Gazis (Eds.), The Artful English Teacher (pp. 103-129). Australian Association for the Teaching of English.
Brown, H. (2004). Walking into the Unknown: Inquiry-Based Learning Transforms the English Classroom. The English Journal, 94(2), pp. 43-48.
Hewes, B. (2020). Bianca Hewes. https://biancahewes.wordpress.com/
Hewes, B., & Hewes, L. (2016). Are Humans Wild at Heart? And Other Epic English Projects for Year 9-10. Hawker Brownlow Education.
Kirschner, P.A., Sweller, J., & Clark, R.E. (2006). Why Minimal Guidance During Instruction Does Not Work: An Analysis of the Failure of Constructivist, Discovery, Problem-Based, Experiential, and Inquiry-Based Teaching. Educational Psychologist, 41(2), 75-86.
Kulthau, C. C. (2015). Information Search Process. Rutgers School of Communication and Information. http://wp.comminfo.rutgers.edu/ckuhlthau/information-search-process/
Kuhlthau, C. C., Maniotes, L. K., & Caspari, A. K. (2012). Guided Inquiry Design. Libraries Unlimited.
Kuhlthau, C. C., Maniotes, L. K., & Caspari, A. K. (2015). Guided Inquiry (2nd ed.). ABC-CLIO.
Lamb, A. & Johnson, L. (2014). Infographics Part 1: Invitations to Inquiry. Teacher Librarian, 41(4), pp. 54-58.
LEARNing Landscapes Journal. (n.d.). Disclaimer, Copyright and Ethics Statement. https://www.learninglandscapes.ca/index.php/learnland/Disclaimer-Copyright-Ethics-Statement
McLean, I. (2016). Speculative Fiction: A genre study using inquiry based learning to improve imaginative writing in Stage 4 English. English Teachers Association of NSW mETAphor, 1, pp. 40-44.
Author, A. A. (Year). Title of article. Title of Journal, Volume(issue), Pages.
NCTE National Council of Teachers of English. (2020). English Journal. https://ncte.org/resources/journals/english-journal/
Wiebe, S. (2010). A Poet’s Journey as A/r/tographer: Poetic Inquiry With Junior High School Students. LEARNing Landscapes, 4(1), pp. 239-253.
Sunday, September 20, 2020
ETA Early Career Teachers' Big Day 2020 - Teaching Creative Writing
Here is my presentation from the ETA Early Career Teachers' Big Day professional learning held on Saturday 19 September 2020. Thanks to those who came along! It was definitely a different experience presenting via Zoom but it is always great to develop new skills.
Saturday, May 30, 2020
A Writerly Life - Suggested Texts for Writing Inspiration 3/4
1. A Writer's Notebook by Ralph Fletcher
'Writers are like other people, except for at least one important difference. Other people have daily thoughts and feelings, notice this sky or that smell, but they don't do much about it.'

2. Children's Writer's Notebook by Wes Magee
This is a marvellous text is filled with writing prompts that relate to the work of a range of children's authors. The activities are straight forward but undertaking them will force your writing into a new direction. It is possible that the responses to the exercises will never leave the pages of your notebook but you will gain through attempting them and you never know, you may uncover a brilliant story!

3. Creative Writer's Notebook by John Gillard
The 'Creative Writer's Journal' is just like the 'Children's Write's Notebook' and I leapt at the chance to buy a copy (it is pay week this week, right?!). This text provides a range of prompts drawing on a range of well known authors - check out the list on the cover. The prompts encourage movement from the style and subject matter your writing usually takes and they also give great insight into how you may respond to other texts and authors in the future.

4. Bird by Bird by Anne Lamott
Words and writing are what paint and canvas are to a fine artist, a way to interpret and see the world and in Lamott's case, when struggling to find her place as a teenager, to gain some acceptance. The power of story is evident throughout the book.

5. Write Every Day by Harriet Griffey
A straight forward text that focuses on the writing practice and a range of specific forms of writing. Griffey provides an overview of prose, poetry, and memoir as well as mechanical aspects like voice, dialogue, character, plot, and structure. The writing quotes are my favourite - I was able to find a few more texts on writing via the included quotes. Sample pages are available at the link.

6. Making Stories by Kate Grenville and Sue Woolfe
How great is print on demand? Making Stories was published in 2001 and while that feels like yesterday, it is 19 years ago which is a long time for a book about Australian writing to remain in print (or print on demand!). I was able to order a copy recently and I am eagerly anticipating its arrival. The book captures the drafting process - I think this offers an important insight into the writing process. The strength of a piece of writing is in ruthless revision.

7. The Artist's Way by Julia Cameron
The Artist's Way is a way to be introspective about the writing process and what is holding you back. It is presented as a 12-week course with some reading and activities to work through the development of the creative self. The renowned 'Morning Pages' originate from Cameron's work and are a worthwhile component of the book - three A4 pages each morning can break down a creative block and help find clarity with a writing project.

8. The Joy of Mindful Writing by Joy Kenward
A beautiful book that will easily fit into a laptop case, handbag, or maybe even a pocket. There are a range of 'Mindfulness' Exercises included as well as writing examples which makes it an excellent text to prompt and inspire writing outside one's comfort zone. Also, this would be a great book to support HSC English Standard and Advanced Module C: The Craft of Writing (always thinking about how things would work in the classroom!).

9. A Writer's Book of Days by Judy Reeves
Oh, this one is another nice one. There must be a particular sentiment from writers who write about writing that the book they write must be printed on nice paper or have a unique aesthetic. I am very much on board with this. Reeves' book is printed on cream coloured paper with burgundy writing. It includes advice on the writing process as well as a prompt for every single day of the year. If stuck, this could be the perfect remedy to get writing on a regular basis. There is even a section on writer's notebooks (pp. 19-20) which, of course, I was interested in. Reeves includes advice from the greats and the quotes and references she included have led me to some great resources.

10. Writing from the Senses by Laura Deutsch
Happy reading, and writing!
N.B Images are the author's own and further information on each title can be found at the hyperlink - mainly Booktopia, for consistency's sake.
Friday, May 1, 2020
A Revision of English in a Pandemic World
In response to all of these events I would probably try to crack a smile and say something like 'what else...?' but honestly, I do not want to know. I do not want to tempt fate. I did joke glibly a few weeks ago and I regret it now, that I could use a little break from face to face teaching - call the holidays a few weeks early so we can hunker down for a bit - then I would be able to catch up on my school administration, sort everything out for my uni assignment, clean the house, and do things like dig my winter clothes out.
Big mistake!
The last three weeks of term were horrendous. There were not enough hours in the day to get everything done. Baby got sick, too, so we were all having a bad time. I sought answers to the questions being asked of me, and answers I need to be able to move into Term 2 with some semblance of order and I got some, and made some acceptable decisions for others. We are all making the best out of an untenable situation.
These are a few of the activities adapted from the Children's Writer's Notebook by Wes Magee. I would recommend the book. It has over 70 prompts, many of which would work well in the classroom.
Wednesday, April 29, 2020
Reflections on Week 11, Term 1, 2020
Going to the grocery store is a strange juxtaposition of a familiar environment with strict rules - hand sanitiser on entry, a security guard passing patrons a trolley after it has been wiped down, tape on the floor everywhere to ensure customers are maintaining social distancing requirements, cordons funnelling shoppers into the store to prevent too many from entering at once, signs everywhere listing product restrictions - toilet paper x 1, baby wipes x 1, hand towel x 1, tissues x 2, canned goods a total of 2, pasta x 2 (if you can get any). There's no limit on fresh fruit and vegetables, eggs are usually in stock, there is more meat lately, dairy has maintained a constant supply. Baby formula keeps me on my toes. Baby became unwell and became lactose intolerant, we tried introducing regular formula three times and three times we switched back to lactose free. We are coming up to the time when we should introduce regular again and I just don't know what to buy - it is often in short supply so I am trying to buy one as we use one, and then I have two cans in the cupboard - two weeks stock just in case. I buy a few packets of pear and prune whenever I see it in the store because we go through that very quickly. It is an unfamiliar way to exist in a land of plenty and relative safety a layer of unease has been added to existence.
Week 11 was a continuing adjustment. Staff worked from home and went to school to collect things and do a bit of work here and there. The focus has been on establishing online learning and supporting senior students. Keeping abreast of social media during this time has been very useful and the sense of camaraderie offered by my online staffroom has been extraordinarily helpful and heartening. In response to a post online my colleague approached me about revisioning our approach to English online and then we met with the 2IC and came up with a plan for Term 2.
As all junior assessment was paused at the end of term. I have been given permission to organise a new due date to collect submissions for all the students who were unable to complete the first task. We will not be assigning another assessment task in Term 2 because it seems a bit silly to put that pressure on staff and students when we have no idea what the future looks like. If we focus on collecting the first task then we will have something and as many students managed to submit the task it will mean their work will still count.
The messaging around the term shifts regularly - a whole term online - maybe? Maybe not. To enact the plan I organised with my colleagues to come up with reading and writing activities. I drew on the 'Children's Writer's Notebook' for the range of activities for Year 7. The activities in the book are terrific and I modified a selected and developed an extension activity for most weeks - just for those who are able to work ahead. Students will be asked to hand in their best piece at the end of each week.
Hopefully this reduces the scores and scores of questions I have been fielding from students who 'don't know what to do' or are confused by a list of instructions and attached documents for the lesson. There have been continuous issues with accessing attached documents and websites - these queries are important, of course, and they must be answered, but I would prefer staff to have the time to give feedback on student writing, provide the teaching through their feedback - kind of like conferencing from a distance
Prior to Covid-19 I was in a great routine with my Year 7 group with Writing Workshop - writing off the page, draft #1, revising, draft #2, edit, teacher edits, and then publishing. I had an area in the classroom where students could collect notepaper and editing check sheets, I bought some staplers from Officeworks (they're pink!) and the writing was coming in. I could get through the scripts quickly, write some feedback, attached a sticker so the students knew everything was checked, and then have a brief conference during our double period. It was really starting to happen.I really hope I am able to establish some of the same practises next term - a creative outlet is important in dark times.
Thursday, April 16, 2020
Reflections on Week 9, Term 1, 2020
I have modified assessment for 7-12 and have converted everything so it works on Google Classroom and students will be able to hand in their tasks online. Instructions have been written, hundreds of Google Classrooms notifications received and it is safe to say that this situation is less than idea.
The future looks interesting and I am not sure I am ready.
Sunday, April 12, 2020
Reflections on Week 7, Term 1, 2020
The professional learning seemed to go well - the coffee van arrived on time, the catering was adequate (we did ask for more sandwiches because they catered for 38 instead of 75), I had the sign on sheet ready, stickers and a marker for name badges, Twitter signs, spare note paper and pens, water for our guest speaker (and cute and colourful Ikea cups for her to drink from!), the lucky door prizes, and aforementioned cookies. I wrote a short speech to introduce the afternoon and well, it fell pretty flat - I acknowledged the difficult start to the year - heat waves, fires, floods, and panic buying toilet paper and how all of these things impact us as well as our students and one way to reflect is to write and what a good opportunity for us to engage in our craft before sharing the activities with out students. I feel like maybe not everyone wanted to attend the professional learning so I am very glad I wasn't getting up to speak about a literacy initiative. I am glad I provided some space for staff to engage in their writing - something different, something fresh, something to engage us in our subject area in a practical way. Personally, I loved the workshop. I will write some of the things we learned in another post.
Friday, April 10, 2020
Reflections on Week 6, Term 1, 2020
I spent a lot more time in the block over the camp days just listening out for things going pear shaped and making sure students were staying in the classrooms. If thee kids are in the right rooms then most issues are prevented. When they spill out things get a little precarious. It was useful though - I cleaned seminar room and created a workspace for staff and an area where I can keep book covering supplies in order and now, when I need to be in the block, I will have something productive to do (I find it difficult to concentrate on intellectual tasks when I have to get up often).
I sorted out all of the books that needed to go back into the bookroom, put all of the novels in big piles on the side cabinets (possibly to create a faculty library in the future), threw out a bunch of old posters and books that were beyond repair. I cleared every surface and wiped everything down. The professional library needs to be reordered so it is more appealing. I spent hours and a portion of the faculty budget over the three years of my first Head Teacher stint building up the faculty library but I don't think it is widely accessed.
There did used to be a working air conditioning unit in the room but it seems to have broken while I was out of school for three years - I need to problem solve this issue if I want the room to be useful. Small air conditioning units aren't overly expensive - it is probably worthwhile either fundraising or using some of the faculty budget, or a bit of both to purchase a new one.
I have finalised the PL agenda ready for the Twilight session next week and I have sent off to the HTs at the other schools, my Principal, and the Guest Speaker. I still need to schedule an email to alert the office staff of the arrival of our guest and the coffee person. I also need to call the coffee shop. I am really hoping they will deliver at 5.10pm so drinks will be hot and everything will run according to plan - fingers crossed.
I am in the middle of organising NAPLAN and I really haven't done enough to feel happy I am on top of it all - I still need to order the headphones, meet with last coordinator, new HT Admin, HT T&L, and co-coordinator about the scheduling and testing procedures. As it is all online there is no way the hall is the best venue. I am thinking about the library as a possible venue as it worked for other whole school online testing but ensuring students are calm for the duration of the tests will be the challenge. I have a training day next week detailing the online processes.
It is nice to be mostly well, I should not take health for granted because as soon as things are not going well it is awful. So I am thankful for that.
My partner convinced me to buy a new computer that holds its charge and wow, it is epic. It is so light and I can pop it in my handbag and the battery, of course, is just so good.
Uni has started and I forgot about the second lecture already. So much for a weekly routine. I suck at routines. I really have to get reading and the assessment task organised this weekend as it will soon get away from me with a big week at work next week.
I have a few big events heading towards me - Open Night, Twilight Professional Learning Session, the English Faculty Assembly (not the best timing but we are going to have some fun with it). Just smashing everything out and then there will be a bit of a lull. Hopefully.
We have got the Drabble competition (100-word story competition) happening and thankfully the artist who designed the poster was able to find his original poster so I altered it to say Week 8, 2020 and it is good to go. I have a keen bean who has written THREE drabbles already - it is great to see the kids engaging in the art of story telling!
I have signed up for a few professional learning events - the AATE Webinar and I have organised the Extension 2 class to attend a webinar as well.
Tweeting continues for the upcoming IFTE AATE If... Conference. I am using TweetDeck to get ahead on the scheduling and the more information is released the more there is to Tweet about. I hope I am keeping the account active enough. I will aim for bi-weekly tweets and as more is released and once the program is firmed up I will be able to add a few more in between.
Classes are going quite well. I have had a few wins with my Year 10 group. It really takes time to get to know kids at this stage in their schooling. They aren't going to listen to someone they don't care about so I am working hard to earn their trust so I can then pull them along when they get stuck. I am not feeling as overwhelmed as I was earlier in the piece. I know we will get there and the class will become more of a community.




