Showing posts with label Writer. Show all posts
Showing posts with label Writer. Show all posts

Monday, June 7, 2021

Writing Workshops

I was so lucky today to attend three writing workshops and what a delight it was to hear from those who have made writing their life. Just brilliant. 

I participated in a poetry workshop with Ali Whitelock, a workshop on voice and The Sidekicks with Will Kostakis, and an author talk with Oliver Phommavanh. All three are successful in their various genres and contribute to the publishing landscape of Australia. 


This is one of Ali Whitelock's poetry prompts and my short poem (my Shitty Art for the day!).

Word association - write down the first thing you think of when you hear the following:

 

The colour red…

What does the colour red taste like…

What does the colour red look like…

What does the colour red feel like…

What does the colour red smell like…

What does the colour red sound like…

 


 The Colour Red


Strawberry

A sweet, cool, burst of sweetness on my tongue.

The kiss of the wall I smacked into, a red welt on my arm.

The sting of sunburn on my cheeks.

Red icy poles.

A siren echoing down the road.

Wednesday, October 7, 2020

Writer's Notebooks for Kids

I put together a little guide to the writer's notebook for kids. I wanted to send off a few bits and pieces for my nieces and nephews to work on during the school holidays but thought an instruction sheet might be handy to help them out. My niece and nephew and their friend had a great time decorating their notebooks and hopefully they have some fun collecting ideas.

I included a range of bits and pieces to inspire - stickers, post it notes, scrapbooking cards, a paper doily, anything I could find in my journaling supplies! I am excited to see what they create. 





Friday, June 12, 2020

Professional Learning Network

Over the past weeks I have developed a social media presence around teachers who write to establish a professional learning network (PLN). The virtual learning community focusing on education, and specifically English education, is vast but when it comes to an active network of teachers who identify as writers there isn’t the same fervour. The inspiration for this direction came from previous experience running face-to-face writing meet ups for teachers. The workshops were successful in that they provided a space for teachers to write and share their writing, but they didn’t become a network. Many teachers came along to what could be described as a ‘collect and go’ professional learning event and there was no real development of a teachers who write community which inadvertently may have had a positive impact on the classroom (Cremin & Oliver, 2016, p. 2: Baker-Doyle, 2015, p. 368). This is both fair, teachers need support with resource development, but disheartening, as the network could have provided ongoing support (Baker-Doyle, 2015, p. 371).

A range of social media platforms were employed in the creation of the PLN. Twitter was chosen for its ability to share resources and amplify conversations (Malik et al., 2019, p. 9). The search function and use of hashtags as well as the increased character limit to 280 made it an ideal microblogging tool (Malik et al., 2019, p. 9). I established ‘#teacherswhowrite’ as the hashtag to organise posts ensuring materials were easy to locate on both Instagram and Twitter (Hyndman, 2018, p. 1). Twitter has been recognised as a tool that provides an open platform, so it is effective in capturing a niche audience of teachers who write (Malik et al., 2019, p. 13). Many find Twitter to be information overload (Malik et al., 2019, p. 15) so I made the decision to make 1-2 tweets per day when establishing the content area on my blog. Notably, Twitter, Blogger, Pinterest, and Instagram ranked 52 or higher in the Top Tools for Learning 2019 (Hart, 2019) so it made sense to capitalise on their functionality and the enjoyment I have using the platforms for my own interest and professional development for the PLN.

The ‘teachers who write’ PLN would fit into Diverse Professional Allies network, in that, the open nature of the platforms I have decided to use may pique the interest of teachers from all backgrounds (Baker-Doyle, 2015, p. 360). I curated resources with a practical approach to writing that would be useful for individuals considering ways to embed a writing practice in their life and double as resources they could use to support their students, if they are in need of resources to support their pedagogy (Baker-Doyle, 2015, p. 371). On my blog, I wrote a ‘how to develop a writer’s notebook’ post which is very feasible way to leap into writing, as capturing ideas, thoughts, and inspiration from everyday life prevents facing a blank page come writing time. When this blog post was published and shared across social media platforms I had positive responses in the form of likes on Twitter from both acquaintances and strangers. To build on this momentum I created a visual via Canva that summarised the main ideas in the post. I added the infographic to another blog post, the sidebar of the blog, Instagram, and Twitter. It also features in the pin I created for Pinterest. 

While the PLN has not reached the point of being a community, I feel the old adage, ‘build it and they will come,’ rings true. The response to the content I created was positive which is encouraging. I currently have 218 followers on Pinterest and 42 following the ‘Teachers Who Write (and also teach writing)’ board. My professional Instagram page has accrued 16 followers which is 12 more than it had when I reinvigorated it a few months ago. I have maintained a blog for some time but have never shared the URL as it was more an exercise in reflection so I have rectified this and shared the link in both my Twitter and Instagram profiles and have tweeted the URL with some information about the blog post. Currently the blog receives 20-25 views per week with the short post on zines and publishing being the most popular out of the four I created for this assignment. 

To prevent any difficulties arising when accessing the content I was sharing I made the decision to centralise all aspects of the PLN within my blog. I have now embedded the HTML code to display a more succinct Twitter feed, the PLN specific Pinterest board, Instagram, and even GoodReads which highlights the books I am reading – one of which I recommended in a blog post (Rheingold & Weeks, 2012, p.112). The brilliance of contributing to a PLN in an area of my choosing is that I both like and enjoy the resources I have curated (Rheingold & Weeks, 2012, p.113). This is a time saver, but it is also a genuine effort to share what I deem to be quality resources. There was considerably low risk in undertaking the promotion of my particular interest area and as there have been many calls from libraries to record, document, respond to the restrictions of the pandemic and an offer of how to engage as a writer when working as a teacher in the very least may provide some teaching ideas (Jenkins, 2006, p. 5).

The PLN I have initiated is not at the point of being a ‘community,’ like the Connected Learning Environment I mapped for the first task, it is merely a ‘node’ within my larger network of educators though, with further commitment, it has the capacity to develop into a niche PLN (Kop & Hill, 2008, p.2: Siemens, 2004, p. 5). Through developing the PLN I have realised that sharing frankly and honestly as well as being vulnerable brought forth the most responses. I was able to forge connections with a teaching acquaintance who I have recently found out has recently come to the world of writing so being open with a part of my writing practise has brought forth a positive connection. One thing that I have been more aware of through this process is the unique social and literacy skills demanded to engage with a PLN  and these skills will continue to evolve and develop alongside the everchanging offerings of the world wide web and app based technology (Jenkins, 2006, p. 5). 

There are many reasons someone enters the field of teaching and many aspects of a teaching area that are draw cards into the profession – English teaching for example, attracts film aficionados, those who love classic literature, some who prefer to engage in popular texts, others who focus on student voice, Shakespeare lovers, and some who like to write (Cremin & Oliver, 2016, p. 14). Through their daily work, teachers write, but not many would identify themselves as a writer and I have realised I can support others by sharing opportunities for them to hone their craft. When I was researching materials to share with my PLN I discovered research papers about teachers who write and was heartened to find that overall, while many teachers don’t identify themselves as being writers, those who do are more likely to pass on positive writing experiences to their students (Cremin & Oliver, 2016, p. 16). Throughout the development of my PLN I have found a renewed passion for fitting writing into my life and have sought out Podcasts about writing and started a writer’s notebook (used as an example in one of the blog posts I created). I have a lot more that I would like to share in this area. While completing the reflection I was able to add another blog post about publishing and I would like to continue to share my writing process as I enjoy contributing to a wider field of knowledge (Hyndman, 2018, p. 3). 

When reflecting on Ito’s framework it was possible to see the distinct differences between the Connected Learning Environment illustrated in the first map and the PLN I have initiated in the second map. The development of my PLN relied, in some ways, on my existing peer supported network of colleagues which is captured in the first map – those I know only online, others I have had the chance to see present at conferences, and people I have worked with throughout my career (Ito et al., 2013, p. 62; Tseng & Kuo, 2014, p. 40;  Dron & Anderson, 2014, p. 77). The conversations I have had regarding writing offer an opportunity for intellectual engagement and community building and there is a sense of validation through communicating with those who have similar interests and workplaces (Ito et al., 2013, p. 62; Tseng & Kuo, 2014, p. 38; Dron & Anderson, 2014, p. 39). 

The PLN I set out to create aims to provide a writers’ group for those specifically engaged in the teaching of writing. Using open platforms such as Twitter and Instagram allows anyone interested to connect with the material as it pops up on their timeline, or at least, to bookmark for later reading (Ito et al., 2013, pp. 61-62; Tseng & Kuo, 2014, p. 37). When using social media knowing where to look to find what you need amongst the fray can be completely overwhelming so a consistent hashtag provides some anchoring in this instance (Malik et al., 2019, p. 15). I hope, in time, that the PLN develops its own momentum with conversations about writing, fitting a writing practice amongst all of life’s commitments, useful articles, and advice to ensure the knowledge ‘flows’ (Siemens, 2005, p. 6; Wenger et al., 2011, p. 11). 

Learning may take place through the PLN via engaging with the materials, posts, and contributing to a broader conversation about teachers who write eventually establishing a community with shared experiences (Cremin & Oliver, 2016, p. 6: Tseng & Kuo, 2014, p. 39; Wenger et all., 2011, p. 10). Throughout the creation of the PLN I wanted to tap into the practice of aligning the learning closely to what people engage with in their leisure time (Tour, 2017, p. 180). 
I also made the choice to refrain from posting on Facebook to avoid any gatekeeping and to share my curated items and contributions without the pretence of selling a product (Jenkins, 2006; Dron & Anderson, 2014, p. 37). 

Like navigating a workplace, accessing a social media platform may be made easier if one holds the human and cultural capital that allows them in (Baker-Doyle, 2015, p. 374). Through the development of a professional learning network I have learned how to embed Pinterest code into my blog, how to upload images from my computer to my Instagram account, how to embed Instagram code on my blog, how to pin a post, add a creative commons licence, and create a layout that is more reader friendly. I experimented with Canva to create an infographic and have found some excellent templates for journaling and creative writing that will be a fabulous addition to my blog. The maintenance of the PLN will link into the social media ‘brand’ I have created using pictures of characters from the 1980s cartoon Rainbow Brite. The character Rainbow Brite is used for my personal social media avatar and Tickled Pink for my education related social media accounts helping to create cohesion (Web20Classroom Blog, n.d., p. 11). It would be ideal to consolidate the names used on each platform but given that I have been on various social media platforms coming up to a decade this isn’t possible. Instead, the blog acts a focal point and captures the related Pinterest board, Instagram, and Twitter account (Kuehn, 2012, p. 68).

For the last few years I operated in the Twitter realm as a curator of articles and resources I find interesting and useful and for this reason I believe I fit into the category of ‘constant explorer’ (Oddone, 2019, p. 159). I take online hoarding to the extreme with saved posts and links in Facebook, bookmarked tweets, and many Pinterest pages and Twitter is where I share what I have found helpful. Most of the experiences I provided in the PLN so far are a ‘stretching’ learning experience as they offer materials that may be of interest, or resources that could encourage staff to write (Oddone, 2019, pp. 253-254).

It is very unlikely that I could build a PLN interacting only with the colleagues I engage with through my workplace. The experiences I have gained through the initial stages of establishing this PLN have pushed me to find relevant resources and create opportunities that did not exist before (Tour, 2017, p. 181). Learning has occurred outside the place of work for those who have engaged (Tour, 2017, p. 181). The plan for the network is to maintain an active focus on collating content, engaging in discussions with other educators who are actively involved in the practice of writing who would like to network with others (Rheingold & Weeks, 2012, p. 196: Miller, 2017). I hope to continue engaging in my own writing practise in order to share genuine content with the PLN I have started – those who may be on the periphery and who may need a little reminding that they can and should be confident to engage in a practise they expect of their students. 

HYPERLINKS!

Blog post series:


Instagram: @misskbryant

Twitter: @tirisays



Map 1. The Connected Learning Environment of tirisays  
Map 2. A PLN for Teachers Who Write (and also teaching writing) #teacherswhowrite
References
Baker-Doyle, K. J. (2015). No Teacher is an Island: How Social Networks Shape Teacher Quality. In A. W. Wiseman & G. K. LeTendre (Eds.), Promoting and Sustaining a Quality Teacher Workforce (pp. 367-383). Emerald Publishing Limited. https://www.researchgate.net/deref/http%3A%2F%2Fdx.doi.org%2F10.1108%2FS1479-367920140000027005

Cremin, T., & Oliver, L. (2016). Teachers as writers: a systematic review. Research Papers in Education32(3), 1-27. https://www.researchgate.net/publication/303594630_Teachers_as_writers_a_systematic_review

Dron, J. & Anderson, T. (2014). Teaching Crowds Learning and Social Media. AU Press.
Wenger, E., Traynor, B., & de Laat, M. (2011). Promoting and assessing value creation in communities and networks: a conceptual framework. Ruud de Moor Centrum.

Hart, J. (2019). Top Tools for Learning 2019. Top Tools for Learning. https://www.toptools4learning.com

Hyndman, B. (2018). Why teachers are turning to Twitter. The Conversation. https://theconversation.com/why-teachers-are-turning-to-twitter-94582

Ito, M., Gutiérrez, K., Livingstone, S., Penuel, B., Rhodes, J., Salen, K., Schor, J., Sefton-Green, J., & Watkins, S. C. (2013). Connected Learning: An Agenda for Research and Design. Digital Media and Learning Research Hub.

Jenkins, H. (2006). Jenkins on Participatory Culture. Work & Days Kalantzis & Cope. https://newlearningonline.com/literacies/chapter-7/jenkins-on-participatory-culture

Jenkins, H., Clinton, K., Purushotma, R., Robinson, A., Weigel, M. (2006). Confronting the Challenges of Participatory Culture: Media Education for the 21st Centuryhttps://www.macfound.org/media/article_pdfs/JENKINS_WHITE_PAPER.PDF

Kuehn, L. (2012). Manage Your Digital Footprint.

Malik, A., Heyman-Schrum, C., & Johri, A. (2019). Use of Twitter across educational settings: a review of the literature. International Journal of Educational Technology in High Education, 16(36), 1-22. 

Miller, B. (2017). How Reddit beautifully illustrated the way its communities power the internet. Brendan Miller. https://brenkjm.wordpress.com/2017/09/28/how-reddit-beautifully-illustrated-the-way-communities-power-the-internet/

Oddone, K. M. (2019). Teachers’ Experience of Professional Learning Through Personal Learning Networks [PhD thesis, Queensland University of Technology]. QUT ePrints. https://eprints.qut.edu.au/127928/

Rheingold, H., & Weeks, A. (2012). Net smart: How to thrive online. MIT Press. https://ebookcentral.proquest.com/lib/qut/reader.action?docID=3339401&ppg=122&tm=1544586470510

Siemens, G. (2005). Connectivism: A Learning Theory for the Digital Agehttps://jotamac.typepad.com/jotamacs_weblog/files/Connectivism.pdf

Tour, E. (2017). Teachers’ self-initiated professional learning through Personal Learning Networks. Technology, Pedagogy and Education26(2), 179-192.

Web20Classroom Blog. (n.d.). Teachers, Take Care Of Your Digital Footprint. Teachhub.com. https://www.teachhub.com/teachers-digital-identity

Monday, June 8, 2020

Map 1 Connected Learning Environment and Map 2 Professional Learning Network

Map 1. The Connected Learning Environment of tirisays  

Enlarge the map via the arrows in the right hand corner.
The Connected Learning Environment of tirisays by KB

Map 2. A PLN for Teachers Who Write (and also teaching writing) #teacherswhowrite

Enlarge the map via the arrows in the right hand corner.

Sunday, June 7, 2020

A Writerly Life - A Publishing Idea 4/4

I attended a teacher writer's retreat at the Q Station in Manly some time ago and as a way to publish writing from the event we were asked to put together some pages for a zine. These are the two pages I created with my photograph, illustrations, and four short poems.

I love the concept of zines and have purchased many from the Sticky Institute (currently running a 'Quarantine Zine Club' while Covid 19 restrictions are in place) and I treasure them. Zines remind me of my high school art teacher's worksheets - images cut and pasted, titles printed from Word, bubble writing, handwritten notes. There is something about the handwriting that I especially love. Maybe I should dig out some of the worksheets I created in my first few years of teaching and turn them into a zine...

A zine can be as simple or complex as the maker wishes. It provides an opportunity for a piece of writing to have some finality and seek an audience. The Sticky Institute accepts zines and will sell them on your behalf if you would like to take that route or perhaps you could leave a copy on a train seat or at a bus stop with a pebble on top.

Here is a great guide on creating a zine from The Creative Independent and a guide from Vice. If you would like to embark on zines in the classroom there is a peer reviewed article available via JSTOR - Zines in the Classroom: Reading Culture.

Thursday, October 18, 2018

Launching into First Trimester

The systems we have set up so far:

Poetry Folder (teal): the shared literature for the class is the daily poem. The poem is read to students, they have quiet time to mark it up (using the questions on the back of the folder as a prompt if required) and the students drive the discussion – commenting on lines that stood out to them, the use of rhetorical devices, the use of diction, form, interesting lines, questions if they are unsure of something or possibly how an aspect of the poem fits in with the rest. At the end of the discussion, students rate the poem out of ten and file it in their folder. Once a semester they compile their top five poems. 

I was astonished when reading the class’ Reading and Writing Surveys at how well each student articulated what they like to read, and also, the list of their favourite poets. The students are in grades 7 & 8 – their ages range from 11-14, and they have favourite poets! I think this is incredible and a testament to rich literary worlds they inhabit supported by a range of engaging and enriching poems provided by their teachers and peers.

Writing In-Process Folder (light blue): containing each student’s Proofreading List, Editing symbols (including ‘STET’ – let it stand), plus the ‘Acorns’ Style Guide so everything can be compiled easily into the quarterly publication. This also helps when compiling shorter anthologies over the course of a trimester.

It is astonishing to see student engage in a rigorous writing process. They are empowered and accomplished writers who work their drafts through to be the best version of their piece. It is exciting to join them as they grapple with a line, a word, a title, or a ‘so what?’ as they construct and revise a piece. 

Homework Folder (yellow): this folder keeps all homework items together (except Math which has its own sheet in the student’s Math Binders).

Spelling Folder (white): In this folder students have a spelling master list where they add words they have had difficulty spelling across their subjects. They also have a few lists of ‘Commonly Misspelled Words’ to be used as a reference if they are haven’t identified any words from their work. For an outstanding student, there is also a ‘Most difficult words’ type of list. When their writing has been checked mispelled words may be added to the Editing Sheet for students to add to their spelling master list. Every time I read a piece - such as their Reading and Writing Survey, or a Letter-Essay, I also write any mispelled words on a sticky note to be added to the students' master list. Every Tuesday students bring five words written on a Word Study sheet for the teacher to check to ensure that they are not studying incorrect spelling. On Thursdays students partner check and then update their master spelling list with an asterisk if they have successfully shown they know the spelling of their words. 

Reading-Writing Handbook: This is a 100-page notebook where students record their Writing Territories, and potential topics for Odes and I also had them write down a few ideas for an anti-Ode as several have already penned an ode. The Reading-Writing Handbook also contains all of the mini lesson notes that are trimmed before class, lists about aspects of a particular genre (such as the Letter Essays).

There are also two permanent folders:

Writing (dark blue): the permanent writing record is where each student files the journey of every piece of writing they do from their W.O.P. (Writing off the Page), Draft 1 with revisions in Blue Pen, Draft 2 with edits in Red Pen (students attach an Editing Sheet to this copy and leave it in the tray), and then teacher edits in Black Pen. Draft 3 is usually a final check just for any grammar, punctuation type things (students leave drafts at this stage on the chair), but if more work is needed there may be another draft and that is okay – it is all part of the process. The final copy is changed to single space and formatted according to the ‘Acorns’ Style Guide. The final copy is paper clipped on top of all of the drafts and then stored in the permanent Writing folder in the cabinet at the front of the classroom. The student records the title of the piece, when they finished it, as well as the genre – a really quick glance shows them (and me) how often they are publishing their writing and what genres they have written in so far. 
 
I have noticed, so far, that students love experimenting with a range of genres, and they have ideas for their next piece whilst they are engaged in writing their current one. There is one student who has set herself a challenge of completing a piece per week. I think this is admirable and her poetry sings a result of a writing process that is considered and thorough.

Reading (light green): the permanent reading record is where students record the books they have read or abandoned. Students record the date when they finished reading a title as well as the genre. This record allows them to interrogate their reading habits and determine future directions for their reading.

This is really just a brief overview to reflect and consolidate my understanding of how everything operates at CTL. I have consulted 'In the Middle' and 'The Reading Zone' as well as 'Lessons that Change Writers' and 'Naming the World' extensively. If you are after mini-lesson ideas, check out 'Lessons that Change Writers.'

Picture 1. CTL
Picture 2. Supplies in the Humanities Room
Picture 3. The Writing Room
Picture 4. Folders with two pockets (Staples)
Picture 5. Folders with two pockets and fasteners (Staples)

Tuesday, October 24, 2017

Writing about Reading Books about Writing #2 'On Writing' - Stephen King

The bookshelf that holds my growing collection of 'books about writing' has started to bow so with renewed determination I have begun adding them to my GoodReads account - surely if I populate my 'To Read' list with their titles I am sure to read them, right?

I am drawn to books about words and the people who write them. I have been thinking about why I enjoy the genre and I have reached a conclusion - I am intrigued by the way the creative process plays out differently for each individual - and I like the life story tucked behind. What I have found in my reading so far is much more than sets of writing rules. There is a sense of the person who has grappled with imposter syndrome, self doubt, incredulity from friends, and possibly family, as well as contended with the ebb and flow of imaginative energy to embark on the creative life.

So this brings me to my latest read - Stephen King's memoir 'On Writing' which is featured on every online list of writing advice. The memoir is significantly shorter than King's works of fiction and was published in 2000, which I initially figured wasn't that long ago, but one can quickly become deluded when they reflect upon how long ago it was since they sat in a high school classroom. I read Stephen King voraciously from Year 10 through Year 12 - my late teens were the apex of my horror reading. I sometimes wish I spent some of this time reading the books all English teachers have read by the time they leave school - but alas I did not have that reading list, and I am still yet to find it - so 'K' was the section I hung around in the Laurieton Library.

I found solace in school, and reading and whilst I cannot exactly recall where I was when I was reading - was it on the school bus? Or was I lugging tomes of horror to roll call? Who knows. I just know that 'Cujo,' 'It,' 'The Shining,' 'The Stand,' 'The Dark Tower Series' and 'Black House' (which was co-written with Peter Straub) allowed me to escape into the deep to become entangled in plot lines twisting around upon themselves and to lose everything in the languishing accumulating detail that characterises many of King's works.

In reading the opening chapters of 'On Writing' I was struck by King's sense of humour but also some of the difficulties he faced at different stages in his life. Here was the tale of an author writing demons whilst gripped in the fight against his own. I think most whom have a penchant for capturing what it is they see in the mind's eye for the page, or canvas, or other medium, know that the process of creating is an act of vulnerability but one that is inherently important - 'Come to it anyway but lightly. Let me say it again - you must not come lightly to the blank page.' I took my time with 'On Writing.' I added notes to my Common Place Book and spent time ruminating over the messages to determine what could possibly apply to my writing and the way that I set up the practice of writing in the classroom.

Here's thirteen extracts that resonated with me:

1. '...stopping a piece of work just because it's hard either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don't feel like it...' - sage advice.

2. '...it behooves you to construct your own toolbox and then build up enough muscle so that you can carry it with you.'

3. 'Unless he is certain of doing well [the writer] will probably do best to follow the rules.' - this gem from William Strunk (The Elements of Style is on my 'To Read' list).

4. 'Paragraphs ...are maps of intent.'

5. 'If you don't like it later on, fix it then. That's what the rewrite is all about.'

6. 'At its most basic we are only discussing a learned skill, but do we not agree that sometimes the most basic skills can create things far beyond our expectations?' - I think this would make a great poster for the classroom.

7. 'If you want to be a writer, you must do two things above all others: read a lot and write a lot.'

8. 'I like to get to ten pages a day, which amounts to 2000 words.' - routine and commitment a prolific writer makes.

9. 'One word at a time.'

10. '...you must be able to describe it, and in a way that will cause your reader to prickle with recognition.'

11. 'Talk, whether ugly or beautiful, is an index of character; it can also be a breath of cool, refreshing air in a room some people would prefer to keep shut up.'

12. 'The most important things to remember about back story are that a) everyone has a history and b) most of it isn't very interesting.'

13. '... you can, you should, and if you're brave enough to start, you will.'

As King states, 'Life isn't a support system for art. It's the other way around' for without art, what is there?

Sunday, July 9, 2017

AATE/ALEA National Conference Write Right: Authentic Engagement with Creative Writing



Thank you to the participants who attended our workshop today!


Title: Write Right: Authentic Engagement with Creative Writing

Presenters: LB and KB

Abstract: Through following the Atwell model and implementing the mini-lesson approach to creative writing, teachers can provide an opportunity for students to construct imaginative text in an authentic and practical fashion. Skills are taught in close-up in order to facilitate understanding and application, with an emphasis on empowerment of students to express themselves effectively as active participants in the authorial process. By focusing on discrete skills, teachers become active facilitators in assisting learners to become specialists in identifying and using sophisticated techniques in their creative writing.

Resources:
Atwell, N. (2015). In the Middle A Lifetime of Learning About Writing, Reading, and 

Adolescents. Portsmouth. Heinemann.

Derewianka, B. (2012). A New Grammar Companion. Australia: Primary English

Teaching Association Australia.


Humphrey, S., Droga, L., & Feez, S. (2012). Grammar and Meaning. Australia: Primary

English Teaching Association Australia.



Download the PowerPoint and Booklet HERE!


Tuesday, May 2, 2017

Writing about Reading Books about Writing #1 'Bird by Bird' - Anne Lamott

My interest in writing and the teaching of writing stems from my background as an English teacher. I work with students everyday, some love writing - they will summarise notes, write short or extended responses to questions, pen a poem, a narrative, an essay, all with enthusiasm and delight. Though there's a flipside - students who lump all of their experiences of writing in one pile and label it 'yuck' - my own experiences mostly place me in the first category but I have experienced the 'yuck' - the strain of getting a sentence just right, of extending a thesis throughout a critical response, the effort to articulate exactly what it is that I'm thinking. It is hard.

I have always written but have never considered myself a 'writer.' Since joining one of the ETA Writing Teachers groups I have begun to engage with what it means to be a writer and it is my hope that the experience of writing regularly and sharing my work with others will give me more insight into what my students experience when they set about the important work of writing.

To further my understanding of the writing process I have engaged with literature exploring pedagogical approaches to the teaching of writing at word, sentence, paragraph, and whole text level but it becomes especially apparent, (especially after my foray into the delight that is the work of Nancie Atwell) that there is something missing. The human element, the grit and determination needed to mould and build pieces of writing. I needed to know more about the compulsion to write and how people overcome blocks and garner inspiration.

A few months ago I started listening to the Australian Writers' Centre podcast  'So You Want to be a Writer' (featuring authors A.L. Tait and Valerie Khoo). Besides being entertaining, the podcast provides insight into the process of writing fiction, non-fiction, as well as publishing, blogging, and what it means to be a writer in the world. One of the segments that I particularly enjoy is the suggestion of a book about the craft of writing. In Episode 61 Valerie and Allison discuss several texts that they count as influential and worthwhile. I must say, from this initial introduction I have developed a strange love of these non-fiction volumes exploring the writing process and have now filled an entire shelf in my bookcase. The joy!

I started with Anne Lamott's 'Bird by Bird' and I loved it. Here's a few points I pulled from the text:

Ten Snippets of Advice from 'Bird by Bird'

Quote about the possibilities that writing offers from 'Bird by Bird' by Anne Lamott. There is a pen in the crease between the open pages, a pencil case with birds on, and correction tape.
1. Words and writing are what paint and canvas are to a fine artist, a way to interpret and see the world and in Lamott's case, when struggling to find her place as a teenager, to gain some acceptance. The power of story is evident throughout the book.

2. The one-inch picture frame is the precursor to the 'bird by bird' anecdote. Both are suggestions as to how to avoid the all encompassing, desperate, and overwhelming feeling when embarking upon a journey into the unknown. I love how honest Lamott is, an author who has written many novels and books, yet she comes back to first principles - the one inch picture frame, bird by bird.

3. The best possible writing advice? WRITE! Thanks Lamott and also, thanks Goldberg (I will read your work after Stephen King!).

5. The emotional acre we all receive at birth is the perfect pasture to explore what matters to a character - what is happening behind the fence? What is planted there? Who is allowed in? Food for thought and a delicious opportunity to uncover the inner workings of an aloof protagonist. The emotional acre is suitable for writing and life, especially since unwelcome visitors can be told to leave, stat!

6. Character development propels the plot but it needs to be on the page! Write first, smooth later! Lamott's step into dialogue in the following chapter is a joyous one - references to Hemingway and reminders: keep the dialogue 'sharp and lean', ensure each character has a distinct voice, and avoid dialect - good advice!

7. Drafting 'short assignment by short assignment' is a way forward when the going is rough.

8. To be a writer one must be reverent. I love the beautiful stories of friends, family, the world, and her students that Lamott weaves through 'Bird by Bird.' It is a real account of a writerly life - worries, anxieties, panic, self-doubt, alongside the occasional exaltation, however short lived, when a book is published.

9. Live 'big round hours' and write what is most important. Lamott refers to a moral purpose in writing, not in a gratuitous, over-the-top way, but to explore the world to say, 'this is who we are.'

10. Give your best, everyday. There will always be more.

Next: Stephen King's 'On Writing'