Launching into First Trimester

The systems we have set up so far:

Poetry Folder (teal): the shared literature for the class is the daily poem. The poem is read to students, they have quiet time to mark it up (using the questions on the back of the folder as a prompt if required) and the students drive the discussion – commenting on lines that stood out to them, the use of rhetorical devices, the use of diction, form, interesting lines, questions if they are unsure of something or possibly how an aspect of the poem fits in with the rest. At the end of the discussion, students rate the poem out of ten and file it in their folder. Once a semester they compile their top five poems. 

I was astonished when reading the class’ Reading and Writing Surveys at how well each student articulated what they like to read, and also, the list of their favourite poets. The students are in grades 7 & 8 – their ages range from 11-14, and they have favourite poets! I think this is incredible and a testament to rich literary worlds they inhabit supported by a range of engaging and enriching poems provided by their teachers and peers.

Writing In-Process Folder (light blue): containing each student’s Proofreading List, Editing symbols (including ‘STET’ – let it stand), plus the ‘Acorns’ Style Guide so everything can be compiled easily into the quarterly publication. This also helps when compiling shorter anthologies over the course of a trimester.

It is astonishing to see student engage in a rigorous writing process. They are empowered and accomplished writers who work their drafts through to be the best version of their piece. It is exciting to join them as they grapple with a line, a word, a title, or a ‘so what?’ as they construct and revise a piece. 

Homework Folder (yellow): this folder keeps all homework items together (except Math which has its own sheet in the student’s Math Binders).

Spelling Folder (white): In this folder students have a spelling master list where they add words they have had difficulty spelling across their subjects. They also have a few lists of ‘Commonly Misspelled Words’ to be used as a reference if they are haven’t identified any words from their work. For an outstanding student, there is also a ‘Most difficult words’ type of list. When their writing has been checked mispelled words may be added to the Editing Sheet for students to add to their spelling master list. Every time I read a piece - such as their Reading and Writing Survey, or a Letter-Essay, I also write any mispelled words on a sticky note to be added to the students' master list. Every Tuesday students bring five words written on a Word Study sheet for the teacher to check to ensure that they are not studying incorrect spelling. On Thursdays students partner check and then update their master spelling list with an asterisk if they have successfully shown they know the spelling of their words. 

Reading-Writing Handbook: This is a 100-page notebook where students record their Writing Territories, and potential topics for Odes and I also had them write down a few ideas for an anti-Ode as several have already penned an ode. The Reading-Writing Handbook also contains all of the mini lesson notes that are trimmed before class, lists about aspects of a particular genre (such as the Letter Essays).

There are also two permanent folders:

Writing (dark blue): the permanent writing record is where each student files the journey of every piece of writing they do from their W.O.P. (Writing off the Page), Draft 1 with revisions in Blue Pen, Draft 2 with edits in Red Pen (students attach an Editing Sheet to this copy and leave it in the tray), and then teacher edits in Black Pen. Draft 3 is usually a final check just for any grammar, punctuation type things (students leave drafts at this stage on the chair), but if more work is needed there may be another draft and that is okay – it is all part of the process. The final copy is changed to single space and formatted according to the ‘Acorns’ Style Guide. The final copy is paper clipped on top of all of the drafts and then stored in the permanent Writing folder in the cabinet at the front of the classroom. The student records the title of the piece, when they finished it, as well as the genre – a really quick glance shows them (and me) how often they are publishing their writing and what genres they have written in so far. 

 

I have noticed, so far, that students love experimenting with a range of genres, and they have ideas for their next piece whilst they are engaged in writing their current one. There is one student who has set herself a challenge of completing a piece per week. I think this is admirable and her poetry sings a result of a writing process that is considered and thorough.

Reading (light green): the permanent reading record is where students record the books they have read or abandoned. Students record the date when they finished reading a title as well as the genre. This record allows them to interrogate their reading habits and determine future directions for their reading.

This is really just a brief overview to reflect and consolidate my understanding of how everything operates at CTL. I have consulted 'In the Middle' and 'The Reading Zone' as well as 'Lessons that Change Writers' and 'Naming the World' extensively. If you are after mini-lesson ideas, check out 'Lessons that Change Writers.'

Picture 1. CTL

Picture 2. Supplies in the Humanities Room

Picture 3. The Writing Room

Picture 4. Folders with two pockets (Staples)

Picture 5. Folders with two pockets and fasteners (Staples)

#teachingadventuresinmaine

By the end of the second week of Trimester 1 just about all of the routines for Reading and Writing Workshop are in place - it was an incredible learning curve but one that was helped by the unbelievably detailed notes AAM left me and ‘In the Middle,’ and ‘The Reading Zone,’ as reference guides to review processes and procedures.

What I’ve found is the Reading and Writing Workshop systems really give me something to lean against - what’s the saying – ‘a place for everything and everything in its place’? When something is not working it is possible to go back to the records to check what has gone awry. My records reflect the student’s records, and everything moves forward. It is possible to see who has engaged in the hour of writing homework over the weekend and who hasn’t read because there is a note right there from the previous day. I can see whether there is a pattern of behaviour  emerging that I need to address or whether there is a good reason such as a new book is more difficult than a previous title and the reading rate has slowed a little.

Now that I’m working in the school I’m aware of the bigger picture - how the staff work together to lay the foundations for their colleagues who will take the students after them. The teachers know the students and the students know the teachers and that’s one thing I’m very grateful for as someone in a relieving position. It’s also something that I reiterated to parents at Parent Night - there’s a community at the school and I’m operating as part of the team. Several of the grade 7 and 8 students have been at CTL since kindergarten and their peers have joined them along the way so the community has a shared history, too.

It is a little sad to consider tomorrow begins Week 7. The time has just flown which I think is a combination of learning the ropes, planning and preparing, giving feedback on student writing, and also squeezing in some sight-seeing over the weekends. I have also tried to meal prep (not super hard when working Monday to Thursday), keep up to date with the subject I am taking at university, and I have watched many episodes of 'Dawson's Creek.'

Picture 1. The view from my apartment. 

Picture 2. CTL

Picture 3. Standstill traffic before reaching Wiscasset due to the many visitors after a lobster roll or lobster dinner from Red's Eats.

Being an Intern at the Center for Teaching and Learning

Heart Mapping is a component of Atwell’s Writing Workshop Procedure that it just beautiful and seeing student heart maps on the walls at the Center for Teaching and Learning (CTL) was really powerful. At CTL, Atwell’s methods are utilised day in and day out, and they work. Students write confidently, they edit rigorously, and they confer regularly with their teachers and peers. 

 

I borrowed a few texts, including Georgia Heard's Heart Maps, at the end of my first day at CTL, just to truly inhabit my persona as ‘edugeek’ – I flew halfway around the world to learn from the students and teachers at the school so why not have a look at the Professional Library – these teachers are masters – I needed to know what they read!

Six Reasons for Heart Mapping: 

1.    Authentic writing comes from the heart. It gives writers a chance to connect with what is important to them, what they feel, think, and care deeply about.

2.    Heart mapping opens the door to literacy for all writers – including reluctant, struggling, and blocked writers. Those who feel unable to engage with conventional forms of writing, feel they haven’t the time, or confidence can reconnect through heart mapping.

3.    Heart maps can function as a practical touchstone for writers. A heart map provides the way back to what is essential in a writer’s life, breaking down blocks, and providing a concrete place to work from.

4.    Heart mapping taps into the power of visual learning. Visuals sing to the brain and the heart shape connects the writer to what is important to them on an emotional level.

5.    Heart mapping gives writers the freedom to explore and allows an idea or image room to grow. Using heart maps steers writers away from reductive and restrictive school genres (such as the five-paragraph essay). The map is about sparking joy in the writing process.

6.    Heart mapping connects us to our feelings and helps us empathise with others. Through writing our stories we learn that humans share experiences and ultimately our joys, pain, fear, and elation can be felt by those around us.

So how does Heard begin the process? By sharing her own. Thinking aloud whilst writing down what is most significant in the centre and then filling the heart with other things whilst sharing the stories with the writers about to go on their own heart mapping journey. 

‘Finding home is crucial to the act of writing. Begin here. With what you know. With the tales you’ve told a dozen times to friends or a spouse... With the map you’ve already made in your heart.’ Georgia Heard, 1995

A few extra ideas:

-      Use heart maps at the start of a genre study.

-      Writers can go back to their maps routinely to add extra topics, revise.

Heart Mapping Considerations:

What will the heart look like?

Where will the most significant inclusions be positioned?

What size font will be used and does this symbolise anything?

Will you draw, write, collage (letters/photographs/images etc.)?

What colours will be used and what do these symbolise?

Is one heart sufficient?

Will you include a key?

The book is filled with a range of templates for heart mapping exercises. See the 'Heart Mapping and Writing Presented by Georgia Heard' for an overview or visit Heinemann for a sample chapter. 

Further Reading:

Awakening the Heart: Exploring Poetry in Elementary and Middle School - Georgia Heard, 1999.

Publisher: Heinemann, Portsmouth

ISBN: 978-0-325-00093-0

My Map Book - Sara Fanelli, 2001

Publisher: Harper Collins Publishers, New York

ISBN: 978-0-060-26455-0

Atwell's 'In the Middle'

I usually leave a star rating on Goodreads as I use it, not to find books, but to challenge myself to read more so it is scan the barcode on the book, record pages read, get out. Except for Nancie Atwell's 'In the Middle' - I read all of the reviews after I finished reading the text and then added something of my own because it is not often that a book that is predominantly about the teaching of writing (no romance, dystopian landscapes, or political satire here!) can have such a profound impact on the way that I saw myself as an educator and the way the story Atwell's school, the Center for Teaching and Learning, altered my thinking in the most profound way. 

My Review: I love reading Atwell's publications. She's a marvellous story teller and the depth of her explanation for each aspect of reading and writing workshop is so engaging and useful. I enjoyed the inclusion of student compositions (some brought tears to my eyes) and the pieces really are a testament to the methods outlined. Atwell's ideology and her engagement with her students is heartening and inspiring. She outlines how she would do things in a different context, how to work in supporting students with the requirements standardised testing, whilst always reinforcing the premise that students need regular opportunities to compose as authors and read critically and for pleasure.

Take a look!

Review Reading #3 'In the Middle, Third Edition - A Lifetime of Learning About Writing, Reading, and Adolescents' - Nancie Atwell

Review Reading #3 In the Middle - Nancie Atwell

ISBN: 978-0-325-02813-2

ISBN-10: 0-325-02813-3

Publisher: Heinemann Publishing

Publication Date: 2015

Stockists

Sample Pages

Here is my third 'Letter-Essay,' this time reflecting on 'In the Middle.'

Dear Reader,

In 2014 I was introduced to Nancie Atwell's work in the way of three photocopied extracts from her 1987 publication ‘In the Middle.’ It seems silly to comment but I had never experienced, in all my university readings and countless books I have sitting on my book shelf about the teaching of English, a plan so simple in its brilliance that it is without replication. I will continue to purchase books and read articles about teaching, literacy, English teaching, and writing instruction, etc. – it just seems to me that Nancie Atwell’s workshop approach provides a place for everything I have learnt to hang from (insert umbrella or coat hanger analogy here!).

I read the extracts from ‘In the Middle’ and then purchased both the 1987 and 1998 editions. I was delighted when only a short time later a third edition hit the shelves (serendipitous or what!?). I was heartened to continue this journey with Atwell. Her philosophy and methods remained at their core the same, but in the 2015 iteration Atwell relaxed some – instead of the ‘nevers’ that populated her workshop model in its earlier stages there was a call for flexibility, a trust of teachers to know when to comment on student writing and when to hold back, encouragement to utilise some of the scripts and scenarios provided in the text as a support but to continue the development of rapport with students and to assist them in working in a more student centred environment.

The teacher is not redundant in the workshop model but is more indispensable than ever. They are the ultimate guide - meeting their students’ needs directly and immediately and it is this aspect that I feel could enhance the current classroom model. Accountability has made all actions ‘transparent’ to a point. It is easy to view the quality of feedback that teachers are providing students on the grading sheets that are returned to students after a task is marked. But, I cannot see or ever really know if any of it means something to a student and the way that tasks are currently completed (task outline provided, student completes task with some support or in isolation, the tasks are handed in and marked which could take from 1-3 weeks, feedback is written by the marking teacher, the task handed back to student with a numerical mark as well as written feedback, the student looks at mark and may look at the comment briefly, students move onto the next task). The next task is of a different nature and the feedback provided on the previous task is no longer available, nor is it relevant, students start the process again, from the beginning, for the next task.

Student growth is possible in the workshop model through immediate feedback. It is, of course not possible to thoroughly read a piece and provide written feedback within a few minutes but it is possible to sit with a student to problem solve an aspect of their writing and set them on a path of experimentation with clarity and focus. Students are accountable for creating their best work, they develop efficacy and independence when composing and ultimately authority as a writer. Written feedback is provided periodically by the class teacher and it is accompanying by a short conference explaining the mark up and comments – time consuming in a regular classroom perhaps, but in workshop it is the core business of the day.

What stands out for me in Atwell’s ‘In the Middle’ is how much value is placed on student writing. A very expansive scope and sequence details what types of texts students study from K-8 so students access a wide variety of genres. Students study exemplar texts, are taught specific skills to support their work in particular genres via explicit instructional chunks – mini-lessons and then, they get down to it, and write. And write. And write. Students are on their own schedules for their composition but are given a bit of a nudge if they aren’t making progress. The teacher acts as a rudder, steering students through difficulty and confusion, answering questions whilst reinforcing protocols around the workshop. Writing is celebrated through students compiling portfolios of their best work to explain to their parents during Parent/Teacher Conferences whilst setting goals for the next semester. Students also contribute to the long running publication, ‘Acorns’ which is a compilation of student writing. This is all supported by, you guessed it, reading workshop.

All editions of ‘In the Middle’ are mammoth, especially the third edition which is absolutely jammed packed full of practical strategies, organisational templates, scripts to inform teacher/student conferences, student writing, and anecdotes. It is a beautiful story of Atwell’s teaching career to this point and the impact she has made upon both her past (including her daughter Anne who now teaches the school) and present students at the Center for Teaching and Learning. The striking honesty, ‘The teaching didn’t come easily either…,’ ‘…my uncertainty about how to about how to talk with kids about drafts of their writing…,’ gives way to poignant reflection such as; ‘freedom of choice does not undercut discipline or rigor,’ ‘I saw them take chances…,’ and ‘I watched them take time, as they wrote and planned their writing outside of school as well as in’ are a testament to change as a difficult but worthwhile journey to take and the continued success of the school and the growth in the students present reinforce what a difference it can make.

Yours,

K